Revisiting Miles Yet Again…

There’s no way to down play the importance of Miles’s music through out his career, and his work from the early 1970’s is no exception what so ever.
For the last couple of months I have been working on new material for what will hopefully be a sequel album to Time Circuit.
I want to write more compositions in my own electric style but instead of writing out tunes that have various forms and chord changes, I want to focus on what I call the “groove tunes.”
These tunes are the type you see on my records from the very beginning. They’re nothing new in my composition and improvisational style. Jazz to the bone, but instead with layers of rhythmic vamps and variations that allow the band to develop the song as a unit, changing it from performance to performance.
Great examples of songs in this style from Miles’s catalog for anyone interested are: It’s About That Time, Shhhh/Peaceful, What I Say, Ali, Johnny Bratton, Go Ahead John, Honky Tonk, and honestly man more. Additional songs are Herbie’s Ostinato and Bennie Maupin’s Neophilia.
This style, which I’ve noticed the jazz police scoffing at, is my wheelhouse. I was a bassist born in a trumpeter’s body. I’m obsessed with the groove and layering rhythms over tunes. There’s just so much material out there to check out: Dave Holland, Alex Sipiagin, Steve Coleman, David Binney, Christian McBride and John Escreet all include this style in their own music as well.
Right now, I have plenty of songs written for the follow up to TC but I can’t decide whether to go in a more groove, open direction or basically replicate TC by including more structured tunes.
It’s kind of a funny thing to think about. On one hand you have the “if it ain’t broke… school of thought and just continue with what works or the “hey man, expand yourself and try for different things school.” I feel either way is a win/win, I mean I’m not trying to revolutionize music by any means but I guess it’s just something to think about.

I’m back

Hey gang –

To anyone who may stumble across this post I apologize for any pain you may have felt for my online absence. Nothing personal, just been busy.

Time Circuit and it’s cd release was an absolute success. Last September, the band and I played the Outer Space stage for a night filled with grooves and good friends in the audience. The album got great reviews and I’m hoping that as the year progresses I can start pushing more cd sales.

I’m trying to get the band into the studio for an EP. I recently wrote so much material, there’s too much for the next disc so I figured why the heck not. It’d be fun to have a series of small batch recordings to add to the band’s discography.

I’m diving back into the world of avant garde music. I’ve been spending a considerable amount of time studying techniques learned from Taylor Ho Bynum, Anthony Braxton, Eddie Henderson and Nate Wooley to apply to improvisation on the trumpet. I’m trying to execute performances of free playing solo trumpet. It’s both mentally and physically demanding far beyond what I ever thought it would be.

In addition to that my duo group with Paul Belbusti, Jump Italiano, is really gelling nicely. We’ve now played two gigs and have had a great time playing and a great response from listeners. Looking forward to more performances!

April 2016

4/1 The Funky Monkey Cheshire CT 7-10pm
Rachel Merriam guitar
Aidan O’Connell bass
Eric Hallenbeck drums
4/2 Pianos NYC 9pm
WiRED
Andrew Kosiba Fender Rhodes
Keith McDade bass
Eric Hallenbeck drums
4/9 The Waverly Inn Cheshire CT 8-11:30pm – CANCELLED
ND4tet
4/17 The Outer Space Hamden CT 7-9pm –  CANCELLED
Spectre Trio
Grant Beale guitar
Steve Niemitz drums
4/23 Cave a Vin New Haven CT 8pm
Andrew Kosiba piano
Keith McDade bass
Joshua Carruthers drums
4/29 Stella Blues New Haven CT 9pm
WiRED
Andrew Kosiba Fender Rhodes
Andrew Zwart bass
Nick Morcaldi drums